Bitte verwenden Sie diesen Link, um diese Publikation zu zitieren, oder auf sie als Internetquelle zu verweisen: https://hdl.handle.net/10419/185988 
Autor:innen: 
Erscheinungsjahr: 
2011
Quellenangabe: 
[Journal:] Swiss Journal of Economics and Statistics [ISSN:] 2235-6282 [Volume:] 147 [Issue:] 4 [Publisher:] Springer [Place:] Heidelberg [Year:] 2011 [Pages:] 417-425
Verlag: 
Springer, Heidelberg
Zusammenfassung: 
Policymakers tend to adopt too narrow a view of the creative industries when determining the desirability of copyright protection. In these industries, authors will often create new works despite weak protection. As recent developments in the music industry illustrate, markets for complements alone can be sufficiently lucrative to entice artists to remain active even when copyright is seriously weakened. However, the value of complements is difficult to forecast. As a result, lawmakers will often set inappropriate copyright terms. In this note, I call for an approach to copyright legislation that makes it feasible to correct these unavoidable mistakes.
Schlagwörter: 
Copyright
Creative Industries
Regulation
JEL: 
L51
O34
O38
Persistent Identifier der Erstveröffentlichung: 
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