Bitte verwenden Sie diesen Link, um diese Publikation zu zitieren, oder auf sie als Internetquelle zu verweisen: https://hdl.handle.net/10419/251881 
Erscheinungsjahr: 
2021
Quellenangabe: 
[Journal:] International Communication Gazette [ISSN:] 1748-0485 [Volume:] 83 [Issue:] 7 [Publisher:] Sage Publications [Place:] Thousand Oaks [Year:] 2021 [Pages:] 85–707-
Verlag: 
Sage Publications, Thousand Oaks
Zusammenfassung: 
This article analyzes the media representations circulating around the trials of the accused Nazi collaborator John/Ivan Demjanjuk. It examines the American, Dutch, German, Russian, Jewish-Dutch, and Jewish-American discourses that framed the consecutive legal proceedings in Israel, the U.S., and Germany. Our study interrogates the convergences and divergences in the transcultural translations as well as the local appropriations of the events that formed part of the cosmopolitan remembrance of the Holocaust. We reconstructed inclusive media frames which were able to traverse different languages and cultures. We also found exclusive frames in our study that did not travel across these boundaries. The palette of views on Demjanjuk's personal guilt and on the capacity of the trials were informed by culturally restricted or culturally resonative mnemonic tropes and were sponsored by different groups of memory agents.
Schlagwörter: 
Cosmopolitan memory
Demjanjuk
Holocaust
media frames
media memory
qualitative frame analysis
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