Bitte verwenden Sie diesen Link, um diese Publikation zu zitieren, oder auf sie als Internetquelle zu verweisen: https://hdl.handle.net/10419/281247 
Erscheinungsjahr: 
2023
Schriftenreihe/Nr.: 
New Approaches to Sound, Music, and Media
Verlag: 
Bloomsbury Academic, New York, NY
Zusammenfassung: 
YouTube has afforded new ways of documenting, performing and circulating musical creativity. This first open access sustained exploration of YouTube and music shows how record companies, musicians and amateur users have embraced YouTube's potential to promote artists, stage performances, build artistic (cyber)identity, initiate interactive composition, refresh music pedagogy, perform fandom, influence musical tourism and soundtrack our everyday lives. Speaking from a variety of perspectives, musicologists, film scholars, philosophers, new media theorists, cultural geographers and psychologists use case studies to situate YouTube as a vital component of contemporary musical culture. This book works together with its companion text Remediating Sound: Repeatable Culture, YouTube and Music. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched.
Schlagwörter: 
cyberculture
sonic cyberculture
audiovisual studies
music consumerism
internet music
music circulation
digital music
Persistent Identifier der Erstveröffentlichung: 
ISBN: 
978-1-5013-8729-6
Creative-Commons-Lizenz: 
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