Bitte verwenden Sie diesen Link, um diese Publikation zu zitieren, oder auf sie als Internetquelle zu verweisen: https://hdl.handle.net/10419/300613 
Erscheinungsjahr: 
2024
Quellenangabe: 
[Journal:] Amfiteatru Economic Journal [ISSN:] 2247-9104 [Volume:] 26 [Issue:] 66 [Year:] 2024 [Pages:] 613-632
Verlag: 
The Bucharest University of Economic Studies, Bucharest
Zusammenfassung: 
The "economic" naturally meets the "cultural" because both spheres deal, differently albeit convergingly, with "values" and "valuations". Materially crafted and spiritually charged, tactile/tangible and ineffable/intangible, privately owned and collectively enjoyed, nourished currently and cherished diachronically, the supply of demandable cultural goods and services defines and refines us as humans. The economics of culture, notwithstanding its deeply rooted epistemological fragilities - "pricing the pricelessness" of masterpieces or fitting artistry into "production functions" -, is in greater distress when asked to predict how tech sense will affect human sensibility. Job specifications and business structures become under assail when technologies unfold, as it is the case with the Fourth Industrial Revolution (IR 4.0) and its long prophesized and still surprising Artificial Intelligence (AI). The present article aims at shedding some critical and creative light onto three lines of inquiry at the byroads of industriousness and artfulness with economics, as well as ethics. Firstly, the outstanding social-political-economic traits pertaining to the historical waves of Industrial Revolutions are re-inventoried, observing both peculiarities and patterns. Secondly, there are emphasized, although hardly exhausted, the prevailing economic reciprocations between the technological shifts and the cultural movements (in visual arts). And thirdly, given envisageable megatrends, catalysts/inhibitors and game-changers, AI's impact upon the art economy is investigated and illustrated via some emblematic cases. This study aims to open up a frontier research - the future of cultural ecosystems -, addressable/assessable as exercises of immersive foresight, and not as detached forecasting.
Schlagwörter: 
Artificial Intelligence
Industrial Revolutions
technology
digital art
cultural and creative sector
art movements
cultural economics and economy
JEL: 
O33
O55
Z11
Z13
Persistent Identifier der Erstveröffentlichung: 
Creative-Commons-Lizenz: 
cc-by Logo
Dokumentart: 
Article

Datei(en):
Datei
Größe
773.38 kB





Publikationen in EconStor sind urheberrechtlich geschützt.